{"id":3347,"date":"2025-06-13T12:18:54","date_gmt":"2025-06-13T12:18:54","guid":{"rendered":"https:\/\/mozavibe.co.mz\/?p=3347"},"modified":"2025-06-13T12:18:54","modified_gmt":"2025-06-13T12:18:54","slug":"sebastiao-coana-resiste-ao-esquecimento","status":"publish","type":"post","link":"https:\/\/mozavibe.co.mz\/pt_PT\/2025\/culture\/sebastiao-coana-resiste-ao-esquecimento\/","title":{"rendered":"Sebasti\u00e3o Coana resiste ao esquecimento"},"content":{"rendered":"<figure id=\"attachment_3348\" aria-describedby=\"caption-attachment-3348\" style=\"width: 700px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3348\" src=\"https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-700x540.jpg\" alt=\"\" width=\"700\" height=\"540\" srcset=\"https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-700x540.jpg 700w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-768x592.jpg 768w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-389x300.jpg 389w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-150x116.jpg 150w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA.jpg 1167w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-3348\" class=\"wp-caption-text\">Foto: Sebasti\u00e3o Coana<\/figcaption><\/figure>\r\n\r\n<p>Obras\u00a0de\u00a0pintura, escultura e instala\u00e7\u00e3o\u00a0e que trata-se de uma viagem sens\u00edvel pelas geografias humanas que marcaram a traject\u00f3ria de Sebasti\u00e3o Coana - de Monapo, Nampula, Manhi\u00e7a e Maputo a Moshi (Tanzania), Beijing (China) e Paris (Fran\u00e7a), podem ser apreciadas em Maputo.<\/p>\r\n<p>As obras do artista Sebasti\u00e3o Coana, que comp\u00f5em a exposi\u00e7\u00e3o \"Territ\u00f3rios de Mem\u00f3ria\", constituem fragmentos de encontros, rostos e sil\u00eancios que resistem ao esquecimento.<\/p>\r\n<p>Assim, cada obra que Sebasti\u00e3o Coana leva para a mostra prop\u00f5e um gesto de escuta e reconhecimento e convoca a presen\u00e7a do outro e desafia a invisibilidade do quotidiano mo\u00e7ambicano e africano.<\/p>\r\n<p>Com uma linguagem pl\u00e1stica expressiva, marcada pela for\u00e7a da cor, da textura e do gesto, Coana constr\u00f3i um mapa emocional onde a mem\u00f3ria individual entrela\u00e7a-se com a mem\u00f3ria colectiva, como, ali\u00e1s, se apresentam as suas instala\u00e7\u00f5es e pinturas.<\/p>\r\n<p>Sebasti\u00e3o Coana \u00e9 um artista mo\u00e7ambicano multidisciplinar, cuja obra cruza pintura a \u00f3leo, arte urbana, escultura e instala\u00e7\u00f5es p\u00fablicas. O seu trabalho art\u00edstico \u00e9 reconhecido pela riqueza de texturas, uso de cores vibrantes e uma forte conex\u00e3o com o quotidiano\u00a0mo\u00e7ambicano, apresentadas em exposi\u00e7\u00f5es e em murais e infra-estruturas p\u00fablicas ou privadas. A fachada frontal da sede do Conselho Municipal da Matola ou as escadarias das barreiras da Maxaquene s\u00e3o algumas delas.<\/p>\r\n<p>(Por MozaVibe)<\/p>","protected":false},"excerpt":{"rendered":"<p>[caption id=\"attachment_3348\" align=\"alignnone\" width=\"700\"]<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3348\" src=\"https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-700x540.jpg\" alt=\"\" width=\"700\" height=\"540\" srcset=\"https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-700x540.jpg 700w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-768x592.jpg 768w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-389x300.jpg 389w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA-150x116.jpg 150w, https:\/\/mozavibe.co.mz\/wp-content\/uploads\/2025\/06\/SEBASTIAO-COANA.jpg 1167w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/> Foto: Sebasti\u00e3o Coana[\/caption]<br \/>\n&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3348,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"wds_primary_category":1,"footnotes":""},"categories":[3,16],"tags":[1183,1181,1182,158],"class_list":["post-3347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-destacadas","tag-territorios-de-memoria","tag-conselho-municipal-da-matola","tag-escadarias-das-barreiras-da-maxaquene","tag-sebastiao-coana"],"_links":{"self":[{"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/posts\/3347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/comments?post=3347"}],"version-history":[{"count":1,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/posts\/3347\/revisions"}],"predecessor-version":[{"id":3349,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/posts\/3347\/revisions\/3349"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/media\/3348"}],"wp:attachment":[{"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/media?parent=3347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/categories?post=3347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mozavibe.co.mz\/pt_PT\/wp-json\/wp\/v2\/tags?post=3347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}